So who is this little person?
She is my stoic little bookworm. She is careful, cautious... which is probably why it took her so long to start walking (she was 15 months old when she took her first independent steps). But it's also why she's so good at walking now; she hardly ever falls. She is deliberate, and a good observer. In fact, she'd rather observe than partake, especially when it comes to playing with other kids. She is wispy in every way: her build, her hair, her voice. She is tenderhearted. But she is also intense. When you look at her you can tell there are a million thoughts going on in that little head. If only I knew what she was thinking about!
My goal for this new portrait was to capture Cecelia's intensity. Most parents try to get their kids to smile big for pictures. And truly, there's nothing I love more than seeing my daughter's face light up, or hearing her laugh! But I also recognize that she is deeper than that... yes, even at just 17 months of age! That stoic side of her is what I wanted to convey.
"Inheritance" (detail), 2015 by Anna Rose Bain |
"Inheritance" (2015) by Anna Rose Bain 30 x 24 inches - oil on linen |
The idea for this portrait was in the back of my mind for over a year, but I had to wait until Cece was old enough to pose for it. Of course I had to work from reference photos, but I've painted her from life so many times that I have a pretty good idea of her complexion and hair color. It's the expression that is key in this painting. I wanted her intensity to be akin to that of the young girl in Sargent's portrait of Edouard and Marie-Louise Pailleron (detail shown below), which I studied for a long time in person at the Met a couple weeks ago (blog post on that coming next!).
Sargent's brilliant portrait of Marie-Louise Pailleron (detail) |
Cece's pose diverged little from my original sketch. She is sitting and making direct eye contact with the viewer. Once I had her pose and expression nailed down, I was able to bring my entire idea to life. I wanted to pay homage to the Renaissance portraits, which often depicted the subject in front of a window or doorway, with a lush landscape in the background (below is an example by Raphael).
"Young Woman with Unicorn" - by Raphael, c. 1506 |
While my inspiration for the concept came from Renaissance art, I was more experimental in my surface preparation and my application of paint. I used lead ground to prep my linen canvas, and left a lot of texture instead of smoothing it out. I spent time studying other artists' treatment of fabrics (whites especially). I carefully observed John Singer Sargent's painting of the Boit daughters, with their luscious white dresses, and tried to be bolder and thicker with my paint than usual. I can't hold a candle to the bravado with which Sargent defines a fold with a single stroke of the palette knife... but I am learning! :-)
My painting (left), and some inspiration from Sargent (right) |
The mountains in the background represent our move to Colorado and Cece's future life here. One of our biggest reasons for leaving Texas was to give our daughter more exposure to the beauty of the natural world, something my husband and I were both fortunate to have when we were kids.
The white lily on Cece's book, and her white dress, signify purity and innocence. Not all of the book titles can be made out, but those that can include "Paintings in the Louvre," "Italian Renaissance Art," "Degas and the Dance," "Latin Poets," and "Holy Bible."
"Inheritance" (detail), 2015 by Anna Rose Bain |
My sweet, sweet girl! You are so loved!
"Inheritance" (detail), 2015 by Anna Rose Bain |
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