First of all, as happens every time I return from an amazing workshop, my work begins to evolve rapidly. I'm finally starting to loosen up a little bit, have more fun with my brushwork, and incorporate more complimentary colors in skin and hair. And lately I've been a little bit obsessed with green.
For example, in this recent self portrait, I got a little bit "crazy" (for me!) in the hair. If you look closely, there is a weaving back and forth between hard and soft edges along the outside contour of the hair. There is even some wild color going across the form (going the opposite direction that the hair falls) to loosely indicate the planes of the head. I'm always amazed at how much green I have to use when painting blonde hair. This time it was an eclectic mix, in the appropriate values, of white, lemon yellow, yellow ochre, raw sienna, viridian, radiant green, transparent oxide brown, and cadmium orange. That's a lot of variety, for a generic hair color that we're always told to fill in with the yellow crayon when we're kids!
"Self Portrait" - 20x16" - oil on linen - Private Collection
Painted in afternoon window light (south facing)
The painting below is one that I JUST finished, and I think it's one of my best nudes to date! Thanks to my very talented artist friend, Carol, who volunteered her beautiful (and private!) backyard, I had the amazing opportunity to work with a live model out of doors. I suppose that if I had a north light window, that would be the next best thing, but as it stands, I have very little experience with painting the entire figure in natural daylight. There is something completely different about it, especially when the light is diffused by clouds. Fortunately for us, we still have relatively warm weather here in Dallas! We kept the model comfortable by having a space heater on hand, and Carol's cat, Sadie, kept her company. :-) If I had just an extra inch or so of canvas on the left, I would have put the cat in!
"Garden Nude" - 18x14" - oil on linen panel - Available
Sadie "modelling" next to the model :-)
We worked from about 9 a.m. to 1 p.m., and had cloud coverage the entire time, which kept the lighting pretty consistent. I was continually amazed at how much surrounding color (greens from the surrounding ferns and trees, yellows from the cloth she was sitting on) found its way onto the model's skin. I had to get used to pulling from colors I wouldn't normally use in my studio. The result was a painting with LOTS of Gamblin's Radiant Violet and Radiant Green in areas such as the highlights on the breast and hip bone, the reflected light on her right side, and the blonde hair. There was also very little contrast, so it was a great exercise in turning form using subtle changes in color temperature, rather than value shifts. In the detail below, you can see just how much color I could get away with in the hair and face. I think I could have pushed it even MORE than I did...
Detail of the legs: I tried my best to work across / around the form rather than along it. This makes for a more solid looking figure and enhances the illusion of three-dimensionality.
Oh, I would have loved to see the cat in there :)
ReplyDeleteBeautiful work!
You are very talented. I noticed your in the Dallas area as well. If you ever teach classes I'd love to come!
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