The concept is not a new one to me, but for the last several years, I was so focused on improving my mastery of value and color that sometimes, visual harmony and rhythm weren't considered as carefully as they should have been. In this latest series, I'm trying to be cognizant of the visual path, while exploring more rhythmic freedom of brushwork. It's certainly no coincidence that musical terms can be used so perfectly to describe painting, for the two art forms are very similar. Some notes are slow and melancholy, some are short and staccato - others are soft, others are loud. Then, when you add dancing to the mix, you have the ingredients for even more aesthetic potential!
After reading my last newsletter about these recent dance paintings, someone commented saying, "Wow, you're transforming." I'm glad they noticed. :-) Art should not remain stagnant or in a state of inertia. An artist is constantly changing, experimenting, and pushing themselves to the next level. Hopefully these works are demonstrative of my efforts toward continual growth.
Model: Ashley Holderness of Soul 2 Sole
This last one (below) is of a different model (Kayla Giard of Prestige Dance). I wanted to capture her in the same pose but from different angles. The resulting painting has a clear focal point but it makes you want to turn along with the dancer as she rotates en pointe.