Why do I bring this up? Because my little art-wired brain recognizes FOMO as something I'm seeing far and wide in the art world, particularly because of Facebook and other social media. I've experienced it myself. I'm suddenly remembering all those hours I spent in college framing and finishing last-minute pieces for my senior art show... my friends were all out partying, and I was experiencing FOMO. Or, when many of my art friends attended a certain art event its first year running... and then the second year, and the third year... without me... I experienced FOMO. It made me feel like I wasn't good enough, and that no matter what I was doing here at home, it would never be as great or as exciting. Or even this past weekend, at the Portrait Society of America conference, I conked out at 11 every night and missed out on the late-night festivities and conversations. Uh, hello... FOMO. As I continued believing I wasn't one of the "cool kids," self-doubt set in, among other unhealthy emotions.
Quite honestly, this is ridiculous. As artists, we should be accustomed to long hours alone in the studio, where nothing matters but creating excellent work. Yet we can't peel our eyes off of what the rest of the world is doing, and consequently, waste valuable hours of our lives in envy and regret.
Here is my solution to dealing with FOMO in the art world.
1) Limit your time on Facebook. Post when you have something relevant to say, or a new painting to show, etc, but don't spend hours stalking your art friends and envying what they are doing. I also have a policy that when I start feeling envy set in, I will think about why that person is really great and deserves the wonderful things that are happening in their lives. Then I write an encouraging comment (i.e., "Amazing work!" or "So glad you got to experience that!"), to validate their experience.
2) Whatever your reason is for missing out on something, OWN IT. For example, when I missed out on all the parties before college graduation because I was framing art and finishing paintings, I was happy to say that I never suffered from a hangover, AND that all the hard work paid off. I sold many of the pieces at my show! Even if you can't attend a workshop or conference, or go to lunch with a famous artist, or travel to Europe every year to paint... don't worry about it. Do the best you can with the circumstances you are in and make the very most of that time. Your work (and your happiness) will improve exponentially.
3) Enjoy each stage of your career, while applauding the successes of others. This is a tough one for me, because my tendency is to always look ahead, while missing out on the present. Being an artist IS about the journey, not about how many publications you get in or how big your studio is or whether or not you become famous. It's the journey.
That being said, I would like to applaud all of the incredible artists who were finalists in this year's International Portrait Competition held by the Portrait Society of America. I would also like to praise the efforts of the 15 Face-Off artists at the conference in Philadelphia, and everyone who gave of their time and energy to help with this event. Samuel Adoquei said, "The best artists are givers." That is what I saw at this event - knowledge and talent being poured out by artists so that others could learn from their successes and mistakes. Hopefully as we are inspired by others (and not hampered by FOMO), we will take what we can use for our own personal journeys and simply leave the rest. We've got painting to do!
Rose Frantzen and Mary Whyte at the 2012 "Art of the Portrait" Face-Off